every day should be a susie day

Best way to start one’s week: on a train to Balamory Tenby, implausibly picturesque jewel of the Pembrokeshire coast. I last hit West Wales on a post-A Levels holiday, to enjoy those final bits of intimacy with school friends before we all buggered off to university (we went to a very classy nightclub in Saundersfoot, and got chatted up by a bloke who claimed he was Griff Rhys Jones’s nephew: such are pulling techniques of the Welsh schoolboy), but generally when I head for the homeland I get stuck at Cardiff. Which is lovely, of course, but provides fewer opportunities for building sandcastles.

Pembrokeshire has so many castles of the non-sandy variety they have no truck with Stonehenge-esque fencing, and are quite content for you to meander all over them. Carew is good: Manorbier even better (not least because their costumed mannequins are Madame Tussaud’s cast-offs: marvel at medieval J.R. Ewing! fling rotten tomatoes at Brezhnev in the stocks!). Highlight of the holiday, however, was the company. Apparently, you can hire a paparazzo to follow you around all day to make you feel like a star. I recommend obtaining a small niece instead, who will be similarly mesmerised by your every nose-blowingly mundane act (Auntie Susie has socks on! Auntie Susie has muesli! Auntie Susie HAS EYES!). Comes with free hugs. Sometimes the hugs include jam. Could anyone ask for more?

From Head To Toe, Eric Carle; Cockatoos, Quentin Blake; Kipper, Mick Inkpen. Two-year-olds have all the best books.

I need to get better at writing on trains. Curse you, iPod, distractor of the masses! Although should you find yourself on a 5 hour train journey that has just become a 7 hour train journey thanks to a 4-minute delay making you miss your connection – just to pluck an example from thin air, natch – you could always pass the time listening to me (and other more amusing people) blethering away about narrative point of view, Sex & the City, and chocolate plungers on last week’s Litopia podcast (iTunes or streaming). Otherwise, I’ve been contemplating Chekhov’s Gun (not to be confused with Chekov’s Gun). I suspect I’ve got an entire armoury strapped to the wall in the opening chapter of Biscuits & Lies: might need to discard a crossbow or two…

Being entertained by The Last Shadow Puppets (they sound like The Walker Brothers channelling Viv Stanshall: basically Gretschen Hofner with a bigger production budget, which can only be a good thing); watching M*A*S*H (the Henry/Trapper/Frank Burns era: oh Radar, I do love you so); being hugely impressed as usual by the ginormous brain of Alex von Tunzelmann, whose Indian Summer makes even a kidlit junkie like me get excited about grown-up non-fiction; eating magnificent fish & chips from Ficci’s in Tenby, who have been frying since 1935 – accept no substitutes!

Or possibly just mumble a bit in a slightly incoherent fashion. I have the grand privilege of guesting on the Litopia After Dark podcast on Friday evening, and promise to do my level best to be thrillingly audible. (I could aim for debonair and sparkling but, you know, it’s been a long week: let’s not get ambitious.) Full details on how to listen (even for the technowary, or ‘Mum’, as I like to call her) at the above link – and do pop by the chatroom if you happen to be online at the right moment: I hear it gets quite racy in there…

I’ve gone on a deranged Dick Francis spree, and have been gobbling up the Sid Halley ones with abandon – including the fourth, Under Orders, which I thought I’d read and hadn’t (and quite want to copy-edit, as Sid should really be investigating the mysterious theft of multiple commas). I read a review somewhere that declared the charm of his affable, mild-mannered, stoic heroes is that we secretly all think we’re like that. Alarmingly correct, I fear.

See all those brackets up there? YOU HAVE NO IDEA. They’re like a plague, I tell you. As serafina67 is to CAPSLOCK, Heidi is to parenthetical asides. (I may need to get stern in the edit.)

Being overexcited about Indy 4 even though the rumour mill says turkey; being overexcited about the Dollhouse trailer even though YouTube won’t let me see the bloody thing (T, it’s the new Joss Whedon thingy); being overexcited about having a laptop that actually, you know, works; sighing at BBCW’s knicker-knotting over Doctor Who knitting patterns.

In traditional fashion, I have spent the Bank Holiday doing DIY.  Specifically, decorating the kitchen.

That’s what happens when you burrow in the cupboard for chick peas, and find the turmeric instead.  If I was a C15th spice merchant, I’d be well narked.  As it is, I’m quite impressed by my artistic jar-juggling skills.  I’m calling it Sunset Boulevard: Kitchen, and leaving it there for future generations to appreciate.  Or until I find my dustpan and brush.

 I’m slacking on the fiction front – always tricky when you’re knee deep in your own book to fully pay attention to someone else’s – so you’ll have to wait for my review of the marvellous Sarah Mussi’s new teen issue-thriller, Last of the Warrior Kings.   (It is killing me to keep putting it down, though.  Damn you, Mussi, and your cliffhangery ways!)  In the meantime, here’s Charlie Brooker talking about existentialism.  He’s always good value, but this column has bonus thought-provocation in with the LOLs.  It’s what Biscuits & Lies is about, really: becoming so accustomed to the rules of the unreal world (telly, movies, the internet, where you’re a safe observer in the audience, just a pseudonym among millions of untraceable others) that you can’t help but apply them to the real one, at which point everything goes tits-up up quite spectacularly.  Speaking of which…

 You know how last week I said I kept thinking of throwing the whole of B&L out of the window?  Well, I did.  (Metaphorically.  It was in my laptop: I sort of need that a bit too much to go throwing it at windows.)  I’ve nailed the heroine’s voice, at last.  The characters I’d planned out are writing themselves into unexpected, sparkly new people.  There’s a whole new subplot, and I have no idea how it will end: I’m spotting clues to it as I type them, and giggling, and scribbling down ridiculous possibilities, because who knows?  It’s a messy, impractical way to work: I can see already the places I’ll need to tighten up, the meandering chunks of dialogue that don’t do anything for the plot, are just there because I was having fun making these people talk to each other.  (I’m writing dialogue!  I’ve missed dialogue.)  But I don’t think my brain works any other way.  I’ve got the fundamental story set in stone, but if it’s all preconstructed, I get bored.  Knowing exactly where I’m going would be like reading the last page of the detective novel to find out whodunnit: simply unsporting, old chap.  I shall deny ever saying such things when I’m sweating over Edit #43, obviously, but right now, I’m having a riot.  Can there really be people on the planet who don’t want to do this for a living?

 Doing a little spoon-based dance round the kitchen while cooking, only to realise there were three students in the garden, probably weeing themselves at my old-lady moves; celebrating 2 chocolate-free weeks with pistachio ice-cream (I fit in my jeans again: sod it); Prison Break-ing like a mo-fo (2 eps from the end of Season 2: gosh *flails* etc); finally being a grown-up and going for a proper bra-fitting, which is much less scary than I’d imagined (though I was mentally writing an extra serafina67 scene where she did the same – with hi-larious consequences, of course).

He’s been introduced on stage with the words ‘Yes, he’s still alive…it’s Humphrey Lyttelton!’ for so long, it seems impossible that he now isn’t.

Forget cups of tea, kings and queens, fish and chips (or endless rain, endemic alcoholism, and teenage pregnancy): I’m Sorry I Haven’t A Clue is the true symbol of Britishness. When Gordon Brown suggested we needed a motto to rival France’s ‘liberte, egalite, fraternite’ he should have looked no further than the 30+ years of Radio 4′s antidote to panel games. Brains, Filth, Silliness: that’s Blighty. (I’d settle for ‘Bring me the head of Alfredo Garcia!’, though.)

I remember my glee when I first looked at a Tube map, and discovered Mornington Crescent actually exists. I can’t hear the word ‘punt’ without recalling Barry Cryer reducing a theatre to mirthful mush, without ever needing to reach the punchline. Thanks to Willie Rushton, in my mind Hamlet’s ‘To be or not to be, that is the question’ will forever be sung to the tune of ‘A you’re Adorable’. And Humph’s own contributions – wearily deriding the panel, the audience, the games themselves – pricked the possible balloon of smuggery, on the comedy programme of fate.

I just hope that Samantha can cope all right without him. In her honour, some greatest hits: Girlfriend in a Coma to the tune of Tiptoe through the Tulips, and some of the gent himself from 2006.

Red: the Next Generation of American Writers, edited by Amy Goldwasser (hardback: essays). This is a peach of a dip-into book: a collection of essays on everything from terminal illness to fangirling Johnny Depp, from ‘a generation, perhaps the first, of writers’. It’s grand proof that all the blogging, social networking, texting and gossiping teenagers do instead of their homework has inherent value. They’re not just giving an insight into the familiar petty distractions of teenage angst (although they do that spectacularly); these are writers, showing off how much they already know about structure, pace, how to use wit or shock to manipulate the reader. And some of them are only 13. We old fart fictioneers had better watch our backs. (Incidentally, I don’t know of anything similar that exists in the UK. Anyone else? It’s quite a tempting idea, if not…)

I’m in the keyboard-hammering stage with Biscuits & Lies: one day it’s going swimmingly, the next I dream of throwing it all out of the window and starting again. A first draft needs to exist before I can edit it into something less humiliatingly terrible, but it’s still frustrating to know how much of my still-puny word count is delete-worthy guff. (Today is a ‘throw it out of the window’ day: can you tell?) I’ve finally pegged the key difference between the main characters in Big Woo and B&L, though: Big Woo‘s serafina is fixated on how messed up she is; B&L‘s heroine has absolutely no idea. Now, if only I could find a way to respond to the note I’ve got pinned up above the laptop: NEEDS MORE JOKES.

Breaking myself horribly through yoga; becoming obsessed with The Apprentice, even though the last three firings have made no sense whatsoever (Lucinda FTW!); watching Atonement (good enough to distract from La Knightley and her Amazing Performing Back, even: remarkable); watching There Will Be Blood (possibly good in theory: could not stand it); avoiding chocolate, with great sadness.

Fellow kid-novelista MG’s been torturing me all week with beachside Blackberry-blogging from Brazil, so when my Brazilian buddy Be pined loudly for the Bossa Nostra bistro in Brighton, I said ‘brilliant’ and booked a B&B. When the alphabet is that freakishly persistent, I say roll with it.

I’ll concede that Maracajau probably had the edge on the weather, but even in an April weathermunge (blue sky, sunshine, high winds, bloody freezing) I love Brighton: tacky seaside town reeking of chips, hipster bohemia, party town, shady underworld where Pinky might pop up with a knife and do you in down some Art Deco alleyway. Where else could you find a retro arcade on the prom, complete with genuine 1920s end-of-the-pier peepshow viewers, hand-cranked and run on George IV pennies? But the highlight was undeniably the food. I’d no idea what to expect of Brazilian cuisine – and being a somewhat gigantic country, there’s plenty of regional variation. But the national dish is Feijoada, and if you know anyone who can make it, equip your kitchen with manacles and kidnap them immediately. Black bean stew with beef and pork might not sound all that thrilling, but I would gladly make it my last meal on death row. Yep, even above bacon sandwiches.

Feijoada: traditionally served with rice, farofa (ground manioc – a bit like maize), couve (fried greens), and a slice of orange (said to counteract the fat content: I do not entirely believe this bit). I’ll be trying to recreate it: anyone likely to come for dinner, be warned, you may be experimented upon…

* ‘Fish fingers a la Portuguese’ was what my Dad always threatened to cook us for tea if my Mum was otherwise engaged. I still have no idea what they might be. He does a good sprat, though.

Brighton’s North Laine has some nifty secondhand shops (not least Snoopers’ Paradise, which I very nearly left with a Man from UNCLE annual, several dozen plastic Lando Calrissians, and a top hat). Instead I wound up with some well-thumbed Dick Francis, and Knights of the Cardboard Castle by Elizabeth Beresford (of Womble-creating fame) which I remember loving. I don’t remember it being filled with people called Dickie, Ginger, and Mr Trumpet, though. It makes me wonder growing up in a second Golden Age of kidlit is depriving this generation of certain skills: I read so much Blyton, C.S.Lewis and Ransome that I developed an automatic socio-historical context filter, and contemporary characters who weren’t hopelessly gender-stereotyped and prone to adventuring parentless with gypsies and ginger beer were the aberrations. But Blyton still sells a million books a year worldwide, albeit under painfully misleading chicklit covers. I’m guessing the filter just comes naturally, the same way you know after a sentence or two whether something is literature, or just ‘pleasantly readable’.

As well as Brazilian food, Brighton also possesses a bakery in the Lanes that produces cupcakes to die for. These were necessary for important book research. Expect multiple loving descriptions in Biscuits & Lies (though, you know, I might have to go back just to clarify). In other news, there’s a rather spiffy micro-site accompanying a competition to win signed Big Woos over at MyKindaPlace. They’re giving away chocolate with the books: think I might have to enter myself…

Eating my words about Catherine Tate on Doctor Who (where do I sign up to the Donna Noble fanclub?); missing the old Skins cast already, even though they’re dead right to reshuffle; rediscovering the route to the gym at long last (feijoada, cupcakes: not exactly diet food); playing ancient PJ Harvey very very loudly indeed.